They’ve been working on Bitwig Studio for two and a half years already, having invested their own money and being partially backed by a Berlin-based investment bank. Live is a big chunk of software nowadays, and Bitwig wants to create a more focused experience and added features they consider important. When asked about their relationship with Ableton, he said that they (Bitwig) admire Ableton a lot, and want rebuild some good parts of it and extend upon them. He got a chance to speak with Bitwig CEO Placidus Schelbert for a couple of minutes – thanks for talking with us, Placidus! Updated: One of our writers and friends, Hedgehog, called Bitwig this morning and got a chance to get a few more details from them. That being said, everyone’s expecting something big from Ableton at NAMM – stay tuned next week as our coverage goes into full swing starting Wednesday! It’s also worth noting that Ableton prices don’t seem to be currently dictated by price accessibility or to compete with other industry alternatives, so a competitor like Bitwig Studio that’s bound to put a lower price on their software will only help breed innovation in the Ableton camp. We’re not entirely sure of the background here and what their current relationship is, but it’s certain to be an interesting story. Automation on a per-note basis in the piano rollĪccording to the Ableton forums, four members of the Bitwig Team are ex-Ableton employees, meaning that this release won’t be something to be taken lightly.Split view between Arrangement and Session views.Features That Make Bitwig Studio Stand OutĪs with any new software launch, there are tons of features to note, but we got excited by the following features that Ableton users have been clamoring for at least the last two major releases of Live. After the jump, we’ve got the details on what’s different, and explanation why some fresh competition can only be a good thing. And the ADSR module gets a lot of use, so why not add a “bias” out port for a bipolar signal that centers around sustain? Good for pitch or anything that might want a little drift.Ableton Live has long been the the major player in DAWs that allow for use in both production and live contexts, but this morning Berlin-based Bitwig has announced their premiere software that aims to directly compete with Ableton as a solution for performance, studio work, and DJing – Bitwig Studio. And yes, direct feedback routings are available - and clearly labeled (Achtung!). For example, FX tracks now have sends of their own. So whether starting a sound in Polymer or growing a world in The Grid, new sounds are at hand.Īs always, a few more new features came along for the ride. Plus all filters get a Q Limit to rein in their resonance, and all oscillators have more phase mod range for more brittle, digital sounds. ADSR and two other envelopes now have added modes for Digital precision, or Analog simplicity and feel. Our Comb filter gained a Damping control for a touch of finesse. Low-pass SK filter is now Sallen-Key, with 16 modes on tap. And for filtering, Low-pass MG honors Mister Moog by imitating both his classic filter and mix buss.īut plenty of other features have also arrived. Union is an oscillator that plays it straight, blending three waveshapes into one pleasant, drifting output. A Ducking control keeps things under control by quieting your delay cloud when strong signals arrive. Pick from five Blur options to go from a lightly animated feedback to a full, blown-out reverb. Set the delay in seconds or beats, then nudge each channel a few milliseconds for instant stereo. By balancing familiar controls along with a few thoughtful new ones, Delay+ can either add a little character or fully transform your sound as it ping-pongs along. All convolutions imprint your sound with an “impulse,” and Bitwig’s comes ready-made with 270 of them, ranging from 12th-century cathedrals and legendary studio effects to more abstract “environments.”ĭelay+ is Bitwig’s latest boutique audio effect. Bitwig has released Bitwig Studio 4.3, a free update that adds a convolution device for real and imagined spaces, a new delay and more.Ī new device, Convolution, can take any sound anywhere.
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